Dates

Arabella | Adelaide
Première 01.03.20
04.03. / 07.03. / 11.03.
15.03. / 19.03. / 22.03. / 31.03.20 CANCELLED!

I Vespri Siciliani | Ninetta
Première 21.06.20
24.06./27.06.20
01.07. / 04.07. / 07.07. / 10.07.20 CANCELLED!

Anna Karenina | Ballett | Voice
04.12./ 11.12 /12.12.20  Postponed

Les Contes d’Hoffmann | La voix de la tombe
Première 11.04.21
14.04./18.04./22.04./25.04./28.04./04.05./08.05./13.05./16.05.21

Madama Butterfly | Suzuki
Reopening 06.06.21
09.06./12.06./19.06./25.06.21

Dienstag, 24. Dezember 2019, 22:00 Uhr, Jesuitenkirche Luzern
Christmette
Johann Sebastian Bach, Kantate II aus dem Weihnachtsoratorium BWV 248
Luzerner Kantorei und Orchester des Collegium Musicum Luzern

Mittwoch, 25. Dezember 2019, 17:00 Uhr, Jesuitenkirche Luzern
Festgottesdienst an Weihnachten
Johann Sebastian Bach, Kantate I aus dem Weihnachtsoratorium BWV 248
Vokalensemble und Orchester des Collegium Musicum Luzern

Dienstag, 31. Dezember 2019, 18:30 Uhr, Jesuitenkirche Luzern
Konzert zum Jahresende
Johann Sebastian Bach, Kantaten III und V aus dem Weihnachtsoratorium BWV 248
Vokalensemble und Orchester des Collegium Musicum Luzern

Sonntag, 5. Januar 2020, 17:00 Uhr, Jesuitenkirche Luzern
Festgottesdienst an Epiphanie
Johann Sebastian Bach, Kantate VI aus dem Weihnachtsoratorium BWV 248
Luzerner Kantorei und Orchester des Collegium Musicum Luzern

«Les Adieux»
Gesangsstudierende singen und spielen im Neubad Luzern
03.11.2019  18:00 und 20:30 Uhr
Hochschule Luzern Musik

MOSCOW – 11. April 2020 Masterclass at Ippolitov-Ivanov Institute for Musical Pedagogic (University of Music) Postponed

JAROSLAWL – 13. April 2020 Masterclass at Music College Leonid Sobinov Postponed

Cherubino

My coolest ensemble story: This was when I played the role of Cherubino once again in The Marriage of Figaro, in a new production by Sven-Eric Bechtolf, conducted by Franz Welser-Möst in 2007.
Cherubino is a trouser role – he’s a teenage page boy whose hormones are raging …
The role and the music involve a lot of movement, liveliness and a sense of play; all this determines his stage presence. Cherubino is funny, cheeky, on the go, and always either running away from the jealous Count or running after someone in a skirt.
Right from the start it was clear that teamwork was very important to Sven. He sensitised us to this and made us realise that the opera only functions if we keep tossing the ball to each other, as it were, both in our singing and in our acting.
The dynamism and the energy were fantastic, and our enthusiasm grew with every performance. Unlike in other productions, I also felt that the ensemble had an ever-stronger sense of solidarity.

Parlo d'amor

Parlo d'amor vegliando, parlo d'amor sognando, all'acqua, all'ombra,ai monti, ai fiori, all'erbe, ai fonti, all'eco, all'aria, ai venti

Cherubino (Mozart, Le Nozze di Figaro)