Judith Schmid (Switzerland) is one of today’s outstanding mezzo-sopranos, and possesses a highly varied repertoire. The operatic stage and the concert hall are her main focus, but her love of lieder (Mahler in particular), of oratorio and of contemporary experimental music means that these all play an important role in her professional life.
For more than 20 years, Judith Schmid has been an esteemed, highly acclaimed soloist at the Zurich Opera House and elsewhere, singing trouser roles such as Smeton (“Anna Bolena”), Sesto (“Giulio Cesare”) and Silla (“Palestrina”), but also Adelaide (“Arabella”), Mescalina (“Le Grand Macabre”), Suzuki (“Madama Butterfly”), Polina (“Pique Dame”), Federica (“Luisa Miller”), Maddalena (“Rigoletto”), Emilia (“Otello”), Erda (“Rheingold”), Waltraute (“Walküre”), Erda (“Siegfried”), and First Norn and Flosshilde (“Götterdämmerung”) and many other roles. Since then, her voice has continuously developed on the dramatic mezzo repertoire.
In the concert hall, Judith Schmid performed with orchestras such as the Bavarian Radio Symphony Orchestra, the Munich Radio Orchestra, the Orchestra of the Zurich Opera House and the Zurich Tonhalle Orchestra, under conductors including Placido Domingo, Marco Armiliato, Mariss Jansons, Daniele Gatti, Franz Welser-Möst, Nello Santi, Marc Minkowski, Adam Fischer, Marcello Viotti and Heinz Holliger.
Judith Schmid’s career in music has been as varied as her repertoire is versatile. She began on the piano and flute, then studied music and movement at the Bern University of the Arts – an experience that continues to have an impact to this day on her physical approach to her art. Judith Schmid turned to singing full-time when she studied at the Guildhall School of Music and Drama in London. She continued her vocal development even after returning to Switzerland and joining the ensemble of the Zurich Opera. The singers who have had a major and lasting influence on her include Francine Beuret, Christa Ludwig and Heidi Wölnerhanssen.
Working at the University of Lucerne since 2017, Judith Schmid has been passing on her vocal and stage experience to vocal students as a lecturer for singing with an artistic professorship.
Numerous recordings for radio, TV and DVD serve to document Judith Schmid’s work. Her CD with the pianist Oliver Schnyder entitled “Rosenblätter”, with works by Grieg, Hefti and Ravel, was much praised in the press; it is also in itself an embodiment of her artistic credo: variety and versatility. This album was chosen as one of the best CDs of 2008 by the “Culture” programme of Swiss Radio SRF 2.
October 2024 – Changes or cuts to this biography must be agreed with the artist.
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Hänsel
My most fun role is also one of the most intense in its physicality: Hänsel (in Hänsel and Gretel). Every child knows this fairy tale about the brother and his sister. We really had a lot of children on stage in our production, and this helped me to forget almost everything else as I played and moved in my role. Just being in the moment – letting it all flow, both singing and acting – that’s for me the fundamental characteristic of this role.
Already during rehearsals I had to keep making sure that I was pacing myself perfectly, and properly focusing my energies. I had to know when I would be able to give everything physically, but also when I would have to think ahead instead, and take care that my breathing was calm and I was able to maintain the flow of my singing. Humperdinck composed wonderful music for all this.
I’ll always be happy to sing Hänsel, time and again.